Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Francois-Hubert Drouais
Louise-Marie de France, previously wrongly called Madame Sophie de France

ID: 77023

Francois-Hubert Drouais Louise-Marie de France, previously wrongly called Madame Sophie de France
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Francois-Hubert Drouais Louise-Marie de France, previously wrongly called Madame Sophie de France


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Francois-Hubert Drouais

Paris 1727-Rome 1775 was a French painter and Jean-Germain Drouais's father. He specialized in portraits, some of which include Louis XV's last two mistresses, Madame de Pompadour and Madame du Barry respectively. He even painted the young Marie Antoinette.   Related Paintings of Francois-Hubert Drouais :. | Duke of Berry and the Count of Provence at | Portrait of Countess Darya Petrovna Saltykova | Portrait of Bathilde dOrleans | Madame Drouais, Wife of the Artist | The Children of the Duc de Bouillon Dressed as Montagnards |
Related Artists:
Elisabeth Louise Viegg-Le Brun
Paris 1755-1842
PEETERS, Bonaventura the Elder
Flemish painter (b. 1614, Antwerpen, d. 1652, Hoboken).
Joseph Stella
1877-1946 Joseph Stella Gallery Joseph Stella (June 13, 1877 - November 5, 1946) was an Italian-born, American Futurist painter best known for his depictions of industrial America. He is associated with the American Precisionism movement of the 1910s-1940s. He was born in Muro Lucano, Italy but came to New York City in 1896. He studied at the Art Students League of New York under William Merritt Chase. His first paintings are Rembrandtesque depictions of city slum life. In 1908, he was commissioned for a series on industrial Pittsburgh later published in The Pittsburgh Survey. It was his return to Europe in 1909, and his first contact with modernism, that would truly mold his distinctive personal style. Returning to New York in 1913, he painted Battle of Lights, Mardi Gras, Coney Island, which is one of the earliest American Futurist works. He is famous for New York Interpreted, a five-paneled work patterned after a religious altarpiece, but depicting bridges and skyscrapers instead of saints. This piece reflects the belief, common at the time, that industry was displacing religion as the center of modern life. It is currently owned by the Newark Museum. A famous Stella quote is: "I have seen the future and it is good. We will wipe away the religions of old and start anew."






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